![]() As Walter says, in a line that seems to express Miller’s meaning: “We invent ourselves, Vic, to wipe out what we know.” The character who is closest to reality is the 89-year-old second-hand dealer Gregory Solomon: a blissfully comic creation who, at first, appears to have wandered in from a Neil Simon play, but who is well aware this is his last chance to defy time. Surrounded by a mountain of mementoes, nicely realised in Simon Higlett’s design, the sibling reunion is fraught with resentment but also shows the two men have been playing self-assigned roles. ![]() Walter is the brother who got out to enjoy a successful career as a wealthy surgeon. Victor, married to an alcohol-dependent wife, is a New York cop who sacrificed his studies to look after a dad ruined by the Great Depression. What we now see are two long-estranged brothers meeting to divide the family’s possessions. So theres the price of all this stuff, all of which has meaning for them, but then theres the price Victor paid in giving up schooling for his father as his older brother went on to get rich. If it is, it has stood the test of time and now emerges, in Jonathan Church’s superbly acted production with David Suchet in the show-stealing role of an old furniture-dealer, as one of Miller’s best plays: an exploration of our need for sustaining illusions because, as he himself wrote, the truth is too terrible to face.Īs in an Ibsen play, much of the real action has happened in the past. Akai unlock code He and his estranged older brother Walter get together to sell their fathers estate to Solomon. ![]() ![]() On its Broadway debut in 1968, Arthur Miller’s play was dubbed by one critic “a museum piece”. ![]()
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